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・ Rocket to the Moon
・ Rocket to the Moon (play)
・ Rocket to the Morgue
・ Rocket to Uranus
・ Rocket to You 93–99
・ Rocket Transfer Warehouse
・ Rocket turbine engine
・ Rockeskyll
・ Rockestra Theme
・ Rocket
・ Rocket (2015 film)
・ Rocket (album)
・ Rocket (band)
・ Rocket (Beyoncé song)
・ Rocket (comics)
Rocket (Def Leppard song)
・ Rocket (disambiguation)
・ Rocket (El Presidente song)
・ Rocket (firework)
・ Rocket (Goldfrapp song)
・ Rocket (Mohamed Ali song)
・ Rocket (nickname)
・ Rocket (The Smashing Pumpkins song)
・ Rocket (weapon)
・ Rocket 2 U
・ Rocket 88
・ Rocket 88 (album)
・ Rocket 88 (band)
・ Rocket 95.3 FM
・ Rocket Arena


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Rocket (Def Leppard song) : ウィキペディア英語版
Rocket (Def Leppard song)

"Rocket" is a song recorded by English rock band Def Leppard in 1987 from the album ''Hysteria''. It was the sixth (seventh in the US) and final single release, coming out in January 1989 and hitting the Top 15 in the US Billboard Hot 100 and UK Singles Chart.〔Neil Warwick, Jon Kutner, Tony Brown (2004) (The complete book of the British charts: singles & albums ) Omnibus Press, 2004〕
The song was considered experimental for hard rock at the time. Most notably, producer Mutt Lange used backmasking effects to feature the line "We're fighting with the gods of war" (from "Gods of War", also on ''Hysteria'') sung backwards throughout the track. This sample was omitted from the single version of the song. The words "Love" and "Bites" (from "Love Bites") are also used as a sonic effect midway throughout the song, in order to replicate the sounds of a rocket launch through musical samples.
Singer Joe Elliott came up with the idea of "Rocket" after he overheard a friend's cassette of "Burundi Black" by Burundi Steiphenson Black, which had previously had an influence on such UK bands as Adam and the Ants and Bow Wow Wow. Elliott then borrowed the tape to make a rhythm loop and overlaid guitar chords over it for a rough draft on the song. When he brought it to Lange and the band, they re-recorded and developed Elliott's idea in a higher key. The song was nearly developed as a near-instrumental with only a short chorus ("Rocket! Yeah"), but after the lyrics "Satellite of Love", which referenced the song of the same name by Lou Reed in 1972, were added to the chorus, the band expanded on the concept of the song and added musical influences of the 1960s and 1970s as lyrics for the verses. During one particular break in the production of the song, the band were surprised to find that Lange had added the extended breakdown, complete with the vocal sampling, to the middle of the song. Lange also instructed the band to record monk-like chants, that were also similarly used by Adam and the Ants in their song "Dog Eat Dog", to emphasize a guitar solo during the breakdown.〔(Rocket "Song Stories", Rolling Stone )〕 Although the drumbeat samples, played at the beginning of the extended and edited version after audio transcripts from the Apollo 11 Moon landing and again during the first half of each verse and the breakdown, are widely mis-attributed to be taken from the Royal Drummers of Burundi, they are actually a series of drum machines programmed by Lange and drummer Rick Allen to play slightly out-of-sync with one another to provide a tribal drum effect within the song.
In its single release, "Rocket" was heavily edited from its original length of 6:34 for radio airplay, but would omit many of the portions that greatly distinguished the track from the rest of the album. At some shows, the album version gets performed, while at others they play the edited version instead.
Guitar World Magazine voted Rocket's guitar solo the 17th worst of all time in a countdown published in December 2004's issue. The magazine commented that "(has ) a solo that any fouryear- old with a rack-mounted effects unit could play."
It was used by professional wrestler Flyin' Brian Pillman as his theme music, when he came to NWA/WCW in 1989.
UK versions of the single release also featured a rather unconventional cover of the Engelbert Humperdinck song "Release Me", credited to "Stumpus Maximus & The Good Ol' Boys", which was actually Malvin Mortimer, the band's future tour manager, backed up by the band members themselves. The vocal is particularly notable for starting out as a rather exaggerated pub-singer version of the opening verses, becoming more and more extreme as the song progresses. In the last verse, Stumpus' histrionics are interrupted by a brief belch, followed by a polite "'scuse me" before going back up to eleven without even a split-second pause. Some commentators at the time saw the track as indicative of cynical commercialism on the part of the record company.
== Music video ==
The music video for this song was directed by Nigel Dick.〔(Nigel Dick Videography - Music Video Database - The Base Of Music Videos )〕
The video is noted for being the last of the band with Steve Clark in the lineup. It was filmed in the same warehouse in the Netherlands used nearly two years earlier for the "Women" clip in 1987. Clips of the classic rock names, (see below) from the lyrics are flashed during the video, along with footage of the various artists performing live or on BBC TV's Top of the Pops.
The 1971 FA Cup Final, won by Arsenal, and also features; particularly goal scorer, club legend and crowd favourite Charlie George. This is a little odd, as 4 out of 5 members of the band at the time were from Sheffield and have made their support for Sheffield United or Sheffield Wednesday known to the public. The lyrics and video is centered around the 1970s (with newsreel of Richard Nixon's disgrace also present), so Arsenal's historic league and cup double along with George's popularity with most football fans make it an obvious inclusion.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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